Corset Styles from http://popantique.com
Corset Styles from http://popantique.com
Friendly reminder to current & incoming college students:
It’s around that time of year where we have to submit our tax and income information for college, assuming you qualify for federal aid. When you are filling out your FAFSA application, make sure you choose the one with the web address of https://fafsa.ed.gov
It may seem pretty obvious, but when I was an RA, I’ve had a surprising amount of residents who had no idea which one to choose, and got caught up in things like:
- being charged to file (FAFSA is a free application and the government WILL NEVER CHARGE YOU)
- having sensitive information willingly taken (FAFSA is done online through a secure server on a .gov website, which for all intents and purposes is safe), and…
- …Because it was filed in the wrong place, the college never receives your information. Students think that everything is done, and wind up with no financial aid for the coming school year because they didn’t bother to check. This results in a lot of heartbreak and tears when you’re scrambling to get enrolled!
So please please PLEASE pay attention when you’re applying for aid. Don’t get scammed, and don’t get screwed out of help, okay?
And as another quick tip: make sure you have this year’s tax information handy (and your parents, if you’re a dependent) to make the process easier. Even if you think you or your folks make too much, apply anyway! Sometimes you could qualify for certain grants and scholarships through your school - but they need your FAFSA info!
This has been a friendly reminder. Good luck! ( ´ ▽ ` )ﾉ
This is a very simple script that will send the ctrl+s command every minute while SAI has focus. It only activates on SAI, so it will not ctrl+s while you are doing other things.
Code is taken from here, all I did was change it to work on SAI instead of Spore, and compile it into an exe.
You need to start the exe when you start SAI. (Or you can set up a scheduled event to run it whenever SAI runs, or replace the link to SAI with a batch file that runs both this and SAI—up to you!) It doesn’t have a taskbar presence, so you won’t see anything, though it’ll be in your task manager if you go digging. The first time it ctrl+ses on a file you’ll have to enter a filename. It’s fine to just put in gibberish—you can delete it later! Then click save, and this tool will continue to save as you draw. It will close about a minute after SAI closes, so if you close SAI and start it up again, you need to run the autosaver again too.
It will only save on one-minute intervals when SAI has focus, so in theory if you were excessively multitasking and just never happened to have focus on SAI when it checked, you could go a couple of minutes without saving, plus if you had SAI running in the background for hours, it wouldn’t save in any of that time, but in general this should stop you from losing hours of work from forgetting to save.
If you want to save a backup of something, e.g. before erasing a huge section and you want to make sure you can go back if you don’t like it, please remember to just save as a different filename.
So uh, been working on this for a couple days, and when I scanned it, it was so over saturated that I couldn’t tell anything apart. Lost some detail in her thighs but this is as good (I think???) as I can get it to the original.
First time using copics. Definitely fun.
I love this 0v0
PLEASE KNOW THAT THIS ZINE IS IN THE WORKS & A LOT OF THINGS ARE STILL BEING WORKED OUT. IMPORTANT THINGS SUCH AS COPYRIGHT & ARTIST/WRITER/CREATOR COMPENSATION. I’M BEING UPFRONT AND HONEST. I’ll…
UPDATED!!! I’ve been working hard to figure things out since I prematurely opened up for submissions lol
Thanks for all of those who have sent me emails already.
Storyboards from Who Framed Roger Rabbit by Harald Siepermann and Hans Bacher
I made a little walkthrough for my Galaxy-Group and I thought it might be helpful for people here on tumblr too! UvU
*STANDARD DISCLAIMER* I’m not handing down life lessons or trying to assert that there’s a ‘correct way’ to draw. I’m just trying to make perspective more approachable for thems that want to tackle it.
Okay. Let’s do this.
1. Understand what perspective is and what it’s for. Stay away from rulers while you get comfortable.
Everyone struggles with perspective because 1. it’s not well or widely taught and 2. artists tend to see linear perspective as a set of rules rather than a set of tools.
Linear perspective is a TOOL we use to create and depict SPACE. That’s it. That’s all it is. Your goal is not to draw in ‘accurate linear perspective.’ Stay away from the ruler and precision for as long as you can. Your goal is to create the illusion of three-dimensional space on a two-dimensional surface. Perspective is just a tool to help you construct and correct that space.
2. Know in your bones that you can ONLY learn to draw in perspective through physical practice. There is no other way.
Grab some paper and draw with me. If you match me drawing for drawing you will be more fluent in linear perspective and spatial drawing by the end of this post. Unfortunately if you don’t, you won’t be.
3. Sketch around in rough perspective. NO RULERS.
So let’s make some simple space. let’s start with a two dimensional surface…
K. We have a flat, 2D surface. Let’s create some depth by putting a vanishing point in the middle, and having parallel lines converge towards it. Make a gridded plane inside that space.
Good. Let’s make that space meaningful by adding a dude and a road or something. (Again, parallel ‘depth lines’ will converge into the vanishing point along the horizon)
And now we have the rough illusion of some space. I didn’t use any rulers, and it’s not perfectly accurate, but we got our depth from that vanishing point right in the middle of the page. And since we have a little dude in there, we’ve got human scale, which allows us to gauge the size of the space we’ve created. Gives it meaning.
You need people or cars or some recognizable, human-scale THING in there as a frame of reference or your space won’t mean much to your viewer. Watch. We can make that same basic space a whole lot bigger like this:
Same vanishing point in the same place, completely different scale, and a totally different feeling of space. Cool, right?
3. Sketch around in rough perspective MORE. STAY LOOSE.
See what sort of spaces and feelings you can create with vanishing points and gridded planes on a post-it or something. Super small, super rough. Feel it out. Pick a vanishing point or lay out a grid in perspective, and MAKE SOME SPACE. Do it. Draw, I don’t know, a lady and her dog in a desert. I’ll do it, too.
Good job. LOOK AT YOU creating the illusion of space! This is how you’ll thumbnail and plan anything you want to draw in space. All of my drawings start this way. I think about how I want the viewer to feel and then play around with space and composition until I find something that works.
Once you have a sketch you like, and space that you feel, THEN you can take out the ruler and make it more accurate and convincing.
4. Draw environments from life.
I cannot stress this enough. Draw the world around you, try to draw the shapes and angles as you see them, and you will ‘get’ how and why perspective is used. Use something permanent so that you’ll move fast and commit. I usually use black prismacolor pencil.
You’ll learn or reinforce something with every drawing. I learned a lot about multiple vanishing points from this drawing:
Learned from the receding, winding space I tired to draw here:
Layered, interior spaces:
You get the idea.
Life drawing will also help you develop your own shorthand and language for depicting textures, materials, details, natural and architectural features, etc. Do it. Do it all the time. Go to pretty or interesting places just to draw them.
Take a second and just draw a quick sketch of whatever room you’re in.
5. Perspective in formal Illustration: apply what you’ve learned.
1. I always start with research. For this particular location I looked at Angkor Wat.
2. Once I had enough reference, I did a bunch of little thumbnail sketches with a very loose sense of space and picked the one I liked best.
3. Scanned the thumbnail and drew a little more clearly over it. Worked out the rough space before using formal perspective.
4. Reinforced the space with formal perspective. I dropped in pre-made vanishing points over my drawing. If I were drawing in real media here’s where I’d get out the ruler to sketch in some accurate space.
5. Drew the damn thing. Because I do my research, draw from life, and am comfortable drawing in perspective, I can wing it. I just sort of ‘build’ the ruins freehand in the space I’ve established, keeping it more or less accurate, experimenting and playing with details along the way. I erase a lot, too, both in PS and when drawing in pencil. Keeps it fun for me.
And that’s what I know about composition and perspective. If you want more formal instruction on perspective and it’s uses, you can use John Buscema’s How to Draw Comics the Marvel Way. Or If you want to get really intense about it, Andrew Loomis can help you