Practice Makes Perfect

Practice Makes Perfect

Never Stop

253 notes

whatevercactus:

How to save hardened paint brushes!

This has been one of the most
useful tips I have learned while in
college so I thought I would share
how I save paint brushes that I was
too lazy to clean out good enough
the first time.
  1. Step One: go buy murphy oil soap, or check your cabinets and look for it. I was surprised when I saw it sitting in my cabinet at home because I had no idea we actually used to clean our house. It’s pretty common to find in stores. You can buy it at dollar general for just a few bucks.
  2. Step Two: take your brushes that you have let become really hard because you either used glue in them, or acrylic paint. Soak them for as much time as possible! The more you let them soak, the easier it will be to work apart the bristles. I have let mine soak anywhere from 24 hours to 96 hours.
  3. Step Three: once you have let your brushes soak, rinse the brush under slow moving water, use your hands to move the bristles around.. all you are trying to see how much the murphy oil soap did on its own, and if it is still a little stiff you will want to let it soak some more.
  4. Step Four: I have a pinch pot I made in a ceramics class to be able to wash my brushes. It doesn’t have to be anything fancy, but it does need to be textured! I drew patterns on the side so I could rub my brushes to make bristles start working in different directions. 
  5. Step Five: after you loosened the bristles by rubbing it on something textured, dip them back in the murphy oil soap and rub it a few more times on the textured surface. this allows the soap to get in all of the new openings in your paint brush.
  6. Step Six: rise it out with the bristles facing down so that anything hard comes out of your brush instead of staying up in the top. You should really use your hands a lot in this step to make sure any glue or paint chips are out.
  7. Step Seven: put a little bit more soap on the brush with a little bit of water, only dampening the bristles. leave it like that until the next time you want to use the brush, and it should be like new.
Bonus to this reference post:
one of my professors used murphy's to
get paint stains out of clothes. 

Filed under art art resource art resources painting collage art reference art ref artref art help

794 notes

dyemelikeasunset:

HEY SO I’ve been trying to start a set of lessons on anatomy for some of my close friends and such, but I think this would help a lot of people start learning how to “see” anatomy in a way that really helps structure.

UPDATES AND NEW LESSONS WILL BE SPORADIC, especially with Ramadan and my work schedule, but please look forward to it!

I will be tagging these as “anatomy with Ty" if you want to check that tag for future updates, or you can check out other tutorials I have done here!

Filed under anatomy anatomy with ty art help

89 notes

shipthenerd:

Painting fur, step by step
Fur practice that could be useful to anyone out there.
Tips:
- Use smaller brushes for each step (the smallest I used was 1.5)
- L a y e r s
- Use a medium sized, low opacity (about 3% or lower), eraser to blend each stroke with the previous layer
- Always start with the bottom layer of fur and work your way up, otherwise your strokes will get confusing and you’ll lose depth.
Here’s a really useful palette for hair colour, which can also be used for furs.
Also, this was painted as part of a medieval type outfit, not for an animal pelt. Technique may differ. 

shipthenerd:

Painting fur, step by step

Fur practice that could be useful to anyone out there.

Tips:

- Use smaller brushes for each step (the smallest I used was 1.5)

- L a y e r s

- Use a medium sized, low opacity (about 3% or lower), eraser to blend each stroke with the previous layer

- Always start with the bottom layer of fur and work your way up, otherwise your strokes will get confusing and you’ll lose depth.

Here’s a really useful palette for hair colour, which can also be used for furs.

Also, this was painted as part of a medieval type outfit, not for an animal pelt. Technique may differ. 

Filed under reference art tutorial painting tips how to furs digital art art help

30,488 notes

pigeonbits:

Color palette tutorial time!

This is by no means the Only Way To Pick Colors—it’s just a relatively-simple method I use sometimes.  I’ve found it works pretty well, almost regardless of what colors you pick—as long as you can keep them organized by those light/dark warm/cool categories, and make sure one category takes up a significantly higher proportion of page space, it usually turns out pretty good!

(via art-tutorials)

Filed under color pallete colour pallets color theory

142 notes

oedipism:

I’ve been wanting to write something like this for a little while now.

Basically I wanted to let people who are illustrators know that if they have a condition that makes it more difficult to draw, that they can overcome it.

I’ve had fairly bad essential tremor (shaky hands) all my life, and while it’s getting worse with age, it’s not impossible to overcome it. Here are my left and right hands on a fairly average day~

image

image

And generally, I draw by steadying my dominant hand at the wrist with the other

image

But, what I want to address is the fact that it’s totally fine to get frustrated.

Whether it’s a mental or physical condition stopping you, you will inevitably get fed up, because it seriously sucks when you want to draw and just simply can’t do what you know you’d be perfectly capable otherwise.

Just be sure when this happens, to step away from the drawing, take a break for 10 minutes, then get back to it, otherwise you’re just going to make the situation worse. Don’t get into the mindset that you won’t be able to finish it if you don’t do it right now, because that’s not true, you can.

And most importantly, remember that your progress is going to be slower, depending on the severity of your condition. Don’t let that faze you, just work to the best of your abilities and practice as much as you can to catch up to everyone else.

Use your condition as a reason to practice more, not as an excuse to give up!

Filed under art drawing practice self help illustration advice condition disorder medical essential tremor shaky hands shakes tremor art help

3,129 notes

naekolehasposts asked: Dear Endling, I've been a huge fan since I saw your comics on Snafu. I'm struggling, and have been for awhile. Art is my passion, but I don't have the right education to pursue a career in it. I've been unable to find my style, and have been stuck for a year. Do you have any advice on where I can read/study to improve my skills to eventually, find my own style?

endling:

  This is a question I’ve been asked a lot, but to be honest it never really gets that much easier to answer. Every artist being an individual, it’s tough to find catch-alls that work for everyone, you know what I  mean? And hell, truth be told, I’m still trying to figure this stuff out for myself. :]

  Let me get this first bit out of the way, the bit nobody wants to hear: “Practice, practice, practice.” It’s the biggest, stinkiest old chestnut in the book, the one you’ve probably heard a million times before, but unfortunately, it is the most rock solid, time-tested advice any artist can swear by. Even when you feel down and out, even when things don’t look like they should. You keep on drawing, because art has a funny way of growing with you, even if you’re not aware of it. 

 But try different things. Some personal suggestions:

- Draw from life. Do figure studies. Your art will only go as far as the strong foundation you’ve built on. It can be arduous, but it is worth it. There is no way around this, much as many folks find this the token ‘boring’ advice.

- Look up light and color theory online. Nowadays there is a ridiculous amount of information on this subject on the internet. You could probably cobble together a near full education on the subject just from all the different people who have guides, examples, even youtube videos on the matter. It’s really amazing. There are tons of people out there trying to help young artists get on their feet, and they aren’t charging a thin dime. Take advantage of it. :]

- Warm up before you draw! Draw scribbles, cubes, shapes with some zing to them. Drawing can be a workout! So like any workout, warm up! Don’t dive right in and injure yourself. :] It’s a good way to stave off feeling discouraged because things  didn’t turn out looking brilliant right off the bat. 

- Try emulating a variety of other artists’ work. (With their consent if you’re posting it somewhere of course.) Sometimes when drawing in someone else’s style your own little mannerisms and stylistic influences tend to pop up in the result. This is more a fun exercise though, certainly not something to fall back on as a means to improve. You don’t want to end up relying on the same artistic ‘shortcuts’ your chosen artists employ in their own work without a firm understanding of the basics yourself.

- Draw quickly, loosely, even carelessly. Less thought, more winging it. Fly by the seat of them pants. Have fun letting go! At least, for a practice run at first. While ‘style’ is at best a nebulous concept, I’ve always found that if you draw speedily, you tend to put emphasis in certain areas, sort of feel your hand moving a particular way? If you don’t let too much thought get in the way, you can sometimes see the raw tendencies you have underneath the art. 

- Animation! Regarding stuff to read to improve your skills, there is no shortage of books available in places like Barnes & Noble. Entire sections on art. I recommend, personally, books on animation techniques. I was originally an animation major in college, and I think any artist can benefit greatly by studying it thoroughly. 

- Draw for yourself, not for the internet. This is a more fairly recent issue I’ve been seeing with some people, but there are folks out there who get a little too attached to the reception (or lack thereof) they receive for posting their work online, or worse still, seem to only draw with the specific intent of putting things online. While it’s all well and good to share your work with other people, please please please do not forget that you are drawing for yourself. You don’t have to post everything you make. Allow yourself plenty of time to make plenty of terrible drawings. Fall flat on your face. You can share the stuff you’d like, but you don’t have to feel compelled to share everything you do.

- Art blocks and burn out will happen. Don’t sweat ‘being stuck’ so much. Don’t rush getting OUT of it either. Art blocks are kind of a way of telling you you’re running on empty in one way or another. I’ve gotten asked quite often what I do to get over an art block. The answer is really simple: wait. Haha. But you find things to do that get you feeling charged up again. I like listening to music and playing games. Games are what got me into art in the first place, so it’s kind of a back-and-forth process for me. But what I’m trying to say here is, art and your life are pretty much connected in every way. If your art just doesn’t want to come out easily on the page, maybe you should find something else to do that you enjoy. Refill, recharge, re-energize, but NOT just to get over an art block. Your daily life might be more attached to your work than you realize. Which brings me to my next point..

- Don’t look so hard for ‘your style’. You need to grow as much as your artwork. As I said before, style is kind of a strange subject. To most people style is simply ‘how your art looks’, what sets it apart from other folks. But if you ask me, style is whatever ignites your passion to create in the first place. Style can be influenced by other art, sure, but it can also be influenced by music, games, sports, books, your background, the things you enjoy, just the person you are from the ground up. Style comes from pouring yourself into your work. And you know what? You need to grow just as much as your artwork. If you put a piece of yourself into your art, it will undoubtedly be unique, because you’re a unique person yourself. Find something you want to say and let it come out through your art.

And yes, that’s about the floweriest answer I’ve ever given on the subject of style. I guess when it comes to the subject of art I can be a sappy sap. But DAMMIT I BELIEVE IN YOU. And anyone else reading this that might have been feeling the same way! And I really appreciate the question! Hell, I’m honored, and hope in any way at all I can help, because art is a beautiful thing to have in your life, and I wish you the absolute best of luck with it. 

Now DRAW. DRAAAAAAAAAW, I SAY!